“A fascinating, informative film asking all the right questions”
Here in Brexit Britain we find ourselves in a peculiar situation. In spite of having done pretty well out of Europe, including our various rebates, opt-outs and special deals, fifth richest country in the world and all that, we have suddenly rebelled, storming out of the arrangement in a strop, angry about something that no one can quite articulate – it might be the straightness of bananas or democratic accountability, or something else entirely.
Meanwhile, the political left appear to have given up talking in a language that most people understand (mysterious references to “social issues” really don’t cut it) and the populace seems to see no contradiction in buying arguments about “freedom” and “control” from people who live here but are domiciled for tax purposes elsewhere (Lord Rothermere of the Daily Mail), people who actually live in tax havens (the Barclay brothers of the Daily Telegraph), or in the USA (Rupert Murdoch of News International). And, most notably of all, from people based over here but whose allegiances are over the Atlantic (how UKIP’s Nigel Farage and his paymaster Arron Banks love being photographed with the new US president).
How we got here isn’t the subject of Michael Oswald’s latest film, but The Spider’s Web: Britain’s Second Empire does shed some light on the miasma of weird that has taken hold of the zeitgeist, when, after 40 years of a “free market” experiment that has seen living standards for many stagnate or fall, people seem to be voting for more not less of the same thing and are blaming “globalisation” for policies masterminded and put into effect by their own governments.